About




                                                                                          

                                                                                        

Lindsey Bundel



























Work
    Fucked-Up                                                     
    Forensic Undergrowth                
    Traces of My Roommate                             
    Act of Adjusting
    Act of Mending
    Scan, You Feel Me?
    Artificial Immortality
Traces of My Roommate
Ceramic sculptures, poem; 2021


︎

'Traces of My Roommate' is a work that emerged from my ongoing research 'Mutual Darkness of Objects'.  The work contains 28 ceramic sculptures of the bathroom mat in combination with a poem that was recited at the time.


The Life of the Batroom Mat




Frustration

Condition:
I document the position and/or shape of the bath mat when it causes me frustration.

Over a 11 week period, I documented the position and shape of the bath mat in my shared household when it frustrated me. The 28 mat versions that resulted from this were then meticulously recreated to scale and preserved in ceramics. These objects contain the unwittingly youthful and vital movements of my roommate, an energy which I wish to preserve since it is in heavy contrast with that of mine.











About ‘Mutual Darkness of Objects’



︎
‘Mutual Darkness of Objects’ is a research documentation, inspired by Object-Oriented Ontology, about discovering and developing a narrative from a non-human starting point. The title refers to the idea that objects never make direct contact with each other, any more than with the human mind, but require a mediator for such contact to occur. This "mutual darkness" or "mutual withdrawal of things, a term used by Heidegger, makes reality only accessible with indirect language, such as metaphors in aesthetics and poetry.

Method
object (as tracer) ︎︎︎ traces (they capture) ︎︎︎ metaphor ︎︎︎ communicative value

Within this research the (non-human) object is used as a ‘tracer’ to trace the worlds it passes through. By observing and analyzing the object in the different networks of actions in which it is engaged, I’m hoping to extract a communicative value out of the various gestures of the object. This hopefully leads to an exploratory dialog between me, the other and the things around me.